Songwriting Tips, News & More

USA Songwriting Competition Partners with Rock n Roll Fantasy Camp

Posted by Jessica Brandon on Tue, May 19, 2015 @06:46 PM

GINGER BAKER and DAVID CROSBY COMING TO ROCK AND ROLL FANTASY CAMP

 David Crosby, hit songwriterGinger Baker, legendary drummer from Cream

Rock and Roll Fantasy Camp returns to Los Angeles, Nov. 5-8, 2015

Campers to perform at WHISKY A GO GO

  

ATTN ALL SINGER-SONGWRITERS AND MUSICIANS:

THIS FANTASY CAMP IS FOR YOU!

Rock and Roll Fantasy Camp is proud and excited to announce our November 2015 camp featuring two world-renowned artists that shaped and influenced the world of rock and roll as we know it: GINGER BAKER of CREAM and DAVID CROSBY of CROSBY STILLS AND NASH! 

I'm looking forward to seeing you all in November folks! Don't forget; it's not how you play, but what you say!” says Ginger. 

How close have you come to your Rock and Roll Fantasy? Maybe you stood in line to get a record album signed or maybe you were close enough to the stage to reach out and just touch an artist’s fingers as he or she ran by.

But your REAL Rock and Roll Fantasy is jamming onstage, learning songwriting tips, etc with true legends in the world of rock music, isn’t it? Or sitting in the same room with a rock pioneer and asking the questions you’ve always wanted answered. Actually spending time with genuine rock stars that have inspired countless musicians for decades.

Our Rock and Roll Fantasy Camp in Los Angeles November 5-8, 2015, offers a once in a lifetime opportunity to jam and learn from with these two legendary artists.   This is face-to-face and standing on stage with music pioneers that have been part of some of rocks’ most incredible lineups and iconic concert events in history.

Rock and Roll Fantasy Camp offers a non-competitive environment that is open to all levels of musician and music enthusiasts” says producer David Fishof.

Legendary singer-songwriter and social justice activist David Crosby is a two-time Rock and Roll Hall of Famer, inducted as a member of both the widely innovative folk-rock band The Byrds — with whom he first rose to stardom — and the Woodstock era-defining group Crosby, Stills & Nash.

Crosby played at some of rock’s most culturally significant concerts, including the Monterey Pop Festival, Woodstock and the Altamont Free Concert. He is also one of rock’s most prolific collaborators, recording and playing with Bob Dylan, members of the Grateful Dead, Neil Young, Jackson Browne and others.

An immense talent and a true rock and roll survivor, Crosby has lived through more music history than most people even know.

Cream, Blind Faith, Airforce, Masters of Reality are just some of the influential bands put together by superstar percussionist, Ginger Baker. 

During his musical beginnings on the London Jazz scene of the late 1950s, Peter ‘Ginger’ Baker forged a name for himself for his unconventional drum setup and flamboyant style. In 1966, after seeing Eric Clapton play in London, he formed the power trio Cream with Clapton and bassist Jack Bruce. The rest is rock and roll history!

The recent documentary “Beware of Mr. Baker” paints a colorful picture of Ginger Baker, but this 1993 Rock and Roll Hall of Fame inductee known as “Rock’s first superstar drummer” is definitely excited to be part of November’s camp.

Alongside these musical pioneers, will be our rock star counselors hailing from some of the greatest rock bands of all time… Danny Seraphine (Chicago), Bruce Kulick (KISS), Rudy Sarzo (Quiet Riot, Whitesnake), Ty Dennis (Krieger-Manzarek Band), Kane Roberts (Alice Cooper), Frankie Banali (Quiet Riot) plus many more…

This amazing opportunity to spend time with two of rock’s most prolific and successful artists puts you amongst the best there has ever been!  Whether you’re a seasoned musician, a beginner, or have long held on to the dream of being in a rock band, Rock and Roll Fantasy Camp will bring your rock and roll dreams to reality…no experience necessary….

 

ABOUT ROCK AND ROLL FANTASY CAMP

For our campers, this is a life changing experience. Some of the campers play well and even gave up careers as musicians to become CEOs and lawyers. Some campers can’t play at all. What they all have in common is passion for rock music. At Rock ‘n’ Roll Fantasy Camp they all get to pursue their passion – and meet, and play with the artists who became the soundtrack of their lives. It has been a fantastic experience for all of us who have been able to witness it for the past nineteen years.

David Fishof is the founder and creator of the famed Rock and Roll Fantasy Camp where rock dreams become reality. The idea came to him after years of producing rock tours throughout the word. He's been honored to work with veteran rockers, Roger Daltrey, Ringo Starr, Levon Helm, Joe Walsh, Roger Hodgson, Todd Rundgren, Jack Bruce, Dr. John, Joe Perry, and so many more. He feels fortunate to have seen their talent first hand. David's desire to share this experience with you, gave him the inspiration to produce the one-of- a-kind, Rock and Roll Fantasy Camp.

Past rock star camp headliners have included Jeff Beck, Brian Wilson (Beach Boys), Roger Daltrey (The Who), Def Leppard, Alice Cooper, Sammy Hagar, Gene Simmons (KISS), Warren Haynes (Allman Brothers, Gov’t Mule), Dave Davies (The Kinks), Bill Wyman (The Rolling Stones), Slash, Bret Michaels (Poison), Cheap Trick, Dr. John, George Thorogood, Jack Bruce (Cream), Joe Satriani, Joe Walsh, Meatloaf, Vince Neil (Motley Crue), Duff McKagan , (Guns N’ Roses, Velvet Revolver), Michael Anthony (Van Halen), among others.  Go to www.rockcamp.com or call 888-762-BAND to sign up or for more information.

Tags: hit songwriter, Rock n roll fantasy camp, David Crosby, Ginger Baker

Radio Podcast, featuring USA Songwriting Competition 2014 Winners

Posted by Jessica Brandon on Tue, May 12, 2015 @07:24 PM

Radio Podcast, featuring USA Songwriting Competition Winners such as: Justine & Kerris Dorsey, Luz Rios, Lawson Rollins and a few surprises... Click below to listen to the Radio Podcast...

 

 **For more information on the 20th Annual USA Songwriting Competition, go: http://www.songwriting.net/enter

Tags: Song writing, Songwriting, Radio Podcast, Kerris Dorsey, Lawson Rollins, Justine Dorsey, Luz Rios

Songwriting Tip : Where's The Chorus

Posted by Jessica Brandon on Mon, May 11, 2015 @05:41 PM

WHERE’S THE CHORUS?

by Harriet Schock

 songwriting

As a panelist at a songwriting conference recently, I wandered into a nearby panel after mine was over. I heard an absolutely gorgeous song with the hook at the end of each verse. The panelist interrogated the writer harshly, “Where’s the chorus?!” I desperately wanted to scream at her that not all songs have choruses and despite our culture’s wide-spread short term memory loss, some stories are better told without them. Even though we’re dealing with a society whose art is often dictated by Nielsen ratings and whose attention span is a nanosecond, sometimes a repeated chorus is not only undesirable—it’s unnecessary.

Let’s review a little history, even though there are conflicting stories about how choruses emerged. Back in the day of the “standards,” “The American Songbook,” these songs were ALL pretty much AABA. Verse, verse, bridge, verse with the title in the first line of each verse or the last line. “Somewhere Over the Rainbow,” for instance, would not have been improved by a repeating chorus starting with the title. Think about it for a minute. And even into the time of the Beatles, would “Yesterday” have been a better song if McCartney and Lennon and created a big sing-along chorus with the same words each time that started with “Yesterday”?

So historically the title was frequently in the last line of the verse. I believe it sort of grew into a two-line refrain and split off like a pseudopod into a chorus around the late fifties or early sixties. This is actually conjecture but it makes sense to me that it could have happened this way. I mean the central idea of the song was contained in the one line, then in the refrain, then it grew into too many lines to be a refrain at the end of a section so it split off and became a chorus. And for most chorus songs, this works well. But some songs are much better with the title coming in by itself at the end of each verse. Country radio is full of these songs even today. And Billy Joel’s “I Love You Just the Way You Are” would not have been better, in fact it would have been made weaker by a repeating chorus. In many story songs—songs that follow one story all the way through—a repeating chorus is simply “wasted real estate” as I call it…wasting space in the song, that could have given us more story, for the sake of lyric repetition. Of course, it’s becoming more conventional than it used to be to change some of the lyrics in the chorus to advance the story a bit or give the listener some variation, while keeping part of the chorus lyrics the same, usually the first and last line at least. But when we’re following a story as we are in Bill Berry’s “Piano Tuner with the Lazy Eye” (https://www.youtube.com/watch?v=6ixrOEXezXw), the last thing we want is to be interrupted by a repeating chorus.

I realize that the “hit formula” is to have a chorus that drives the title home and the beats the melodic hook into the listener’s brain so that by the second time he hears it, it “sounds” like a hit because it’s so incredibly familiar to him. And far be it from me to kick an ear worm out of bed. I’ve made a living off of them for over 30 years. But there have been plenty of hits without choruses. Once we realize that we can write a big melodic hook chorus song whenever we want, then we move on to what is best for the song we’re writing. And sometimes the song just cries out to be AABA. Yes, even in 2015.

 

Harriet Schock wrote the words and music to the Grammy-nominated #1 hit, "Ain't No Way To Treat A Lady" plus many songs for other artists, TV shows and films. She co-wrote the theme for “Jakers! The Adventures of Piggley Winks,” currently showing in 30 countries. She and her band were featured in Henry Jaglom’s film “Irene In Time” performing 4 of Harriet’s songs. She also scored three other Jaglom films and starred in “Just 45 Minutes from Broadway.“ Jaglom’s most recent film, “The M Word,” features Harriet’s song “Bein’ a Girl,” performed on camera at the end of the film. Karen Black wrote the play, “Missouri Waltz,” around five of Harriet’s songs, which ran for 6 weeks at the Blank Theatre in Hollywood as well as in Macon, Georgia. In 2007, Los Angeles Women In Music honored Harriet with their Career Achievement and Industry Contribution award. Harriet teaches songwriting privately, in classes and a popular online course by private email. For her performance schedule, list of credits and samples of her work or information on her book (Becoming Remarkable, for Songwriters and Those Who Love Songs), her songwriting classes, online courses and consultation, go to: www.harrietschock.com

For more information on the 20th Annual USA Songwriting Competition, go: http://www.songwriting.net

Tags: songwriter, song writer, Song writing, Chorus, Songwriting, Helen Reddy, Harriet Schock, Grammy