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Jessica Brandon

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Songwriting Tip: Creating A Standout Chorus

Posted by Jessica Brandon on Mon, Jan 31, 2011 @06:18 PM

Creating A Standout Chorus
by Danny Arena 
dannyarena.jpg
One of the most common musical traps songwriters fall into is having a chorus that sounds too much like the verse. Remember that the whole point of having different sections in your song is to have variety. As a general rule of thumb, different musical sections such as verses, lifts, choruses and bridges should contrast each other. This makes each section unique, which keeps the song musically interesting. This is especially important in the chorus section, which really needs to stand out from the rest of the song. 

So how we can apply this idea of creating contrast to the music? Since music has three fundamental components (melody, harmony, and rhythm), we have three ways of creating a contrast between different musical sections. Let’s explore each of these methods of contrast a little more carefully.

  • Melodic Contrast - To create an effective melodic contrast, make sure that the chorus is higher than the verse. The easiest test of this is to try and draw a line representing the melody in your song. If you have a hill or peak in the chorus compared to the verse, then you’ve probably done your job. On the other hand, if you end up with a fairly straight line, you have what I call a "flatline" melody (it means exactly what the term implies - the song has been pronounced melodically dead). Often this happens if a writer begins the verse in their highest singing register. When they get to the chorus, there’s nowhere higher they can sing, so it stays in the same range. The end result is a melody that doesn’t move enough. The simplest way to avoid this trap is to write the verse in a comfortable, but low melodic range. This gives you plenty of room to move upward in the chorus. If you write the chorus first, try to keep it in your upper singing register. This will give you room to make the verse melody lower while still creating an effective contrast. Naturally, you have to keep an eye on the overall range to make sure it’s not beyond a typical singer’s range (usually an octave plus three or four notes). 
  • Harmonic Contrast - A second way to make different musical sections contrast is harmonically. The chords used in a song supply the musical foundation for the melody as well as establishing the emotional feel of the song. If both the verse and chorus use the same chord progression, there’s a good chance those sections will sound too similar. The same goes for the bridge or lift section. Try to consciously choose a different chord progression for each different musical section. The easiest way to achieve this is to start each section on a different chord. If the verse starts on a G chord then begin the chorus on a different chord like C, and your bridge on an Am chord. For example, the verse to the Grammy award winning song, "Wind Beneath My Wings" (Henley/Silbar) starts on a G chord while the chorus begins on an Em chord. This doesn’t mean you can’t start both your verse and chorus on the same chord, but if you do, be sure to include some other method of contrast.
  • Rhythmic Contrast - A third way to create an effective contrast between sections is by changing the rhythm of the melody between the verse and chorus. The best example I can think of is the perennial Howard/Arlen song, "Somewhere Over The Rainbow" (which contains a bridge or "B" section rather than a chorus). Try to imagine the rhythm of the verse melody in your head. Hear those big long half notes on words like "way" and "up"? For the most part, the verse rhythm is composed of half notes. Now try to hear the bridge section of the song ("someday I’ll wish"). Can you tell the difference? The bridge section is comprised mainly of the quicker rhythm of eighth notes, which creates an effective contrast to the half notes in the verse. It’s also interesting to note that both the verse and the bridge begin on the same chord and are in the same melodic range. The rhythmic change supplies the only musical contrast between the verse and bridge sections and it’s enough to keep us tuned in to the song. If you’re solely a lyricist, rhythmic contrast is a great thing that you can build into your lyrics by simply paying particular attention to the rhythm of the words in each section

Just remember when you’re looking for a way to create a distinctive chorus, remember you have several options. Hope to see you on the charts. 


Songwriter Danny Arena Danny Arena 
is a Tony-Award nominated songwriter and co-founder of www.SongU.com. SongU.com provides multi-level song writing courses developed by award-winning songwriters, song feedback, mentoring, one-on-one song coaching, co-writing, unscreened pitching opportunities and more. For more information on the USA Songwriting Competition, please go tp: http://www.songwriting.net 

Tags: Chorus, Songwriting, Billboard Charts, Danny Arena, SongU.com, Tony-Award nominated songwriter

Top Songs of The Decade of USA Songwriting Competition

Posted by Jessica Brandon on Wed, Dec 22, 2010 @03:25 PM

As the decade is winding down, here are the top 10 songs of the USA Songwriting Competition of the past decade:

 

Ari Gold

1. "Where The Music Takes You" by Ari Gold, Joe Hogue 'JOJOHO' & Sean Petersen

This song went on to hit #10 on the Billboard charts. This song was the Overall Grand Prize winner of the 2007 USA Songwriting Competition. The song is also on the soundtrack of the 2010 Film "Bear City". 



2. "Only Fooling Myself" by Kate Voegele

This song went on to hit #26 on the Billboard charts. This song was the First Prize winner in the Pop category of the 2005 USA Songwriting Competition. Kate Voegele performed at USA Songwritiong Competition showcase at SXSW and was signed shortly thereafter. She was the youngest winner at that time (18 years old).



3. "Give Me Love" By Alannah Myles & Nancy Simmonds

This song won the Overall Grand Prize of the 2010 USA Songwriting Competition. Canadian Singer-songwriter Alannah Myles is known for her #1 Billboard hit song "Black Velvet". This songs signals Alannah's comeback. Her co-writer Nancy Simmonds has written songs recorded by Melissa Manchester, Ricky Van Shelton, Rosemary Butler and more. 



4. "Is that So Bad" by Ken Hirsch, Rosie Casey, Peter Roberts & Hillary Podell.

Ken Hirsch won first prize in the Pop category of the 2010 USA Songwriting Competition & Overall Second Prize is no stranger to the music scene, penning mega hit songs such as "I've Never Been To Me" by Charlene and written songs recorded by the greatest legends in music such as Barbara Streisand, Celine Dion, Stevie Wonder and B.B. King. He has written with legendary songwriters such as Howard Greenfield and Ron Miller. 



5. "Message to the Future" by James Keelaghan

This song won James Keelaghan First Prize in the Folk Category of the 2003 USA Songwriting Competition.  This Juno award-winning Canadian folk singer-songwriter also won first prize in the 2002 USA Songwriting Competition. 



6. "Bridal Train" by Vikki Simpson (The Waifs)

Vikki Simpson won the Overall Grand Prize at the 2006 USA Songwriting Competition is the lead singer and songwriter of the Australian hit group "The Waifs". They went on to win an ARIA award and toured the world. They are currently signed to Compass Records



7. “Good Ole USA” by Darrell Scott

Darrell Scott won first Prize in Country category of the 2005 USA Songwriting Competition and it was later recorded by #1 recording artist Faith Hill and the title was changed to "We've Got Nothing But Love To Prove".



8. “Home” by Jordan Zevon

This song won Jordan Zevon, the son of legendary singer-songwriter Warren Zevon Overall Grand Prize in the 2008 USA Songwriting Competition. He aslo won first prize in the pop category in 2006 with “The Joke's On Me” which he performed at the “Late Night with David Lettermen” TV show.



9. 'Lighted Up' by Grabriel Mann

Grabriel Mann won Overall Grand Prize in the 2003 USA Songwriting Competition and he formed a band “The Rescues” and was signed to Universal Records in 2009 along with bandmates Adrianne Gonzalez (1999 Top Winner) and Kyler England (2009 First Prize Winner, Country category).



10. “Does Yo Mama Know” by Pepper Mashay & Corey White

Pepper Mashay hit top 10 on the Billboard charts with this song and she won first prize in the Dance category of the 2008 USA Songwriting Competition.

For more information on the USA Songwriting Competition, visit: http://www.songwriting.net

Tags: Ken Hirsch, Rosie Casey, Kate Voegele, Ari Gold, The Waifs, Jordan Zevon, Kyler England, hit songwriter, composing songs, music composition, Billboard Charts, Jonathan George, Darrell Scott, Billboard Album Charts, Composer, Alannah Myles, Billboard #1 Hit, Pepper Mashay, Corey White, Grabriel Mann, Vikki Simpson, Peter Roberts, Hillary Podell, Nancy Simmonds, James Keelaghan, I've Never Been To Me

Music Veterans Dominate Top Two Spots In USA Songwriting Competition

Posted by Jessica Brandon on Fri, Dec 10, 2010 @09:22 PM

Alannah Myles, USA Songwriting Competition Top Winner

Results of the 15th Annual USA Songwriting Competition have been announced. Canadian singer-songwriter Alannah Myles and prolific Los Angeles songwriter Ken Hirsch won the top two positions of the 15th Annual USA Songwriting Competition respectively. This also marks the first time that music industry veterans dominate the top two positions of the USA Songwriting Competition fifteen year history.

Toronto Canada based Alannah Myles and co-writer Nancy Simmonds won Overall Grand Prize as well as the first prize of the Rock/Alternative category with their song “Give Me Love”. Alannah Myles is known for her Classic Rock hit “Black Velvet”. “Black Velvet” hit number one on the Billboard Hot 100 charts in 1990, won a Grammy award in 1991 for the same song. That song has become a classic and is a mainstay on Classic Rock and Pop radio stations worldwide. With her latest win, Alannah Myles is launching a comeback. This also marks only the second time that the top prize went to a non-US based songwriter. The last time the top prize when to a non-US based songwriter was 2006 when Vikki Simpson of the group “The Waifs” won.

 


Ken Hirsch, USA Songwriting Competition 1st Prize Winner (Pop Category)

Ken Hirsch and co-writers Rosie Casey, Peter Roberts & Hillary Podell of Los Angeles, CA won first prize in the Pop category as well as Overall second Prize with their song “Is that So Bad”. Ken Hirsch is a prolific songwriter with several hits on the charts and is well known for his number one hit “I've Never Been To Me”. Like Alannah Myles's “Black Velvet”, “I've Never Been To Me” has also become a classic hit and is a mainstay on Classic Pop, Soft Rock and easy listening radio stations worldwide. Ken has also written hits such as “Two Less Lonely People In The World”, a top 40 hit for Air Supply which he wrote with late legendary songwriter Howard Greenfield. Ken Hirsch has his songs recorded by music legends such as: Barbra Streisand, Celine Dion, Stevie Wonder, Dolly Parton. Ray Charles and Mary J. Blige.  Rounding of the top three is Ason, a Hip-Hop up-and-coming act from Upper Marlboro, MD, who won Overall Third Prize as well as First Prize in the Hip-Hop category. 

Other winners of the USA Songwriting Competition were amazed by the top 3 placements. Sherri Gough, who won the first prize in the Lyrics Only category said "Wow, I'm humbled that I was even in the same category with these songwriters, Congratulations to the top three winners".  

Music industry insiders have been impressed with the quality of songs submitted at the USA Songwriting Competition. "Very high caliber of submissions. USA Songwriting Competition is always ahead of the curve", said Rob Reinhart, DJ of the "Acoustic Cafe", a syndicated radio program that appears in 65 different radio stations in US and Canada. "USA Songwriting Competition is a great place for talent to be found", said Monte Lipman, President & CEO of Universal Records. 

Christopher Tin, an Honorable Mention winner of the 15th USA Songwriting Competition has been nominated for two Grammys at the latest 53rd annual Grammy Awards: 'Best Classical Crossover Album', and 'Best Instrumental Arrangement Accompanying Vocalists' for his USA Songwriting Competition song entry 'Baba Yetu'. 'Baba Yetu' won an honorable mention award in the 2010 USA Songwriting Competition. For the list of full winners, see: http://www.songwriting.net/winners


USA Songwriting Competition has a long history of having winners getting recording and publishing contracts, have their songs placed on the charts as well as having their songs placed on film and television. 2009 First Prize winner (country) was signed to Universal Records. 2005 First Prize winner (Pop) Kate Voegele was signed to Interscope Records the year after she won and had her winning song hit top 40 on the Billboard Charts, her latest album hit Top 10 on the Billboard 200 Album charts this summer. 2007 Overall Grand Prize Winner Ari Gold had his winning song “Where The Music Takes You” hit #10 on the Billboard Dance Charts. Darrell Scott, winner of the country category of the 2005 USA Song writing Competition had his winning song cut by award winning country singer Faith Hill. Judges include A&R managers from record labels such as Warner, Capitol Records, Universal, BMG/SONY Music

Entries are currently being accepted for the 16th Annual USA Songwriting Competition. Winning songs of the 16th Annual USA Songwriting Competition will receive airplay on a nationally syndicated radio program “Acoustic Café” as well as Sirius XM Satellite Radio. This is the first Songwriting Competition that gives airplay to the winning songs, giving deserving bands, songwriters the recognition and exposure they deserve. Entrants stand to win a grand prize of over US$50,000 in cash and music gear from sponsors such as Sony, D’Addario Strings, Ableton, Audio-Technica, Presonus, IK Multimedia, and more, making this the largest prize package for any annual songwriting competition. Other sponsors include: New Music Weekly, Loggins Promotion, AirplayAccess.com, Onboard Research, Acoustica, Livewire Musician, Sonoma Wireworks, Rockstar Texting, Image line Recording magazine and Premier Guitar magazine.

 

Songs may be entered in 15 different categories including Pop, Rock/Alternative, R&B and Country. Entries are accepted from now through May 31, 2011. For more information, visit: http://www.songwriting.net 


Tags: Ken Hirsch, Alannah Myles, Billboard #1 Hit, Grammy, Grammy Awards, Christopher Tin, Black Velvet, Classic Pop, Classic Rock, Evergreen Hits, I've Never Been To Me

Songwriting Tips: Jonathan George Songwriter/Producer

Posted by Jessica Brandon on Tue, Oct 19, 2010 @02:42 PM

Jonathan George, Songwriter/Producer speaks about songwriting and collaborating with music artists, songwriters and bands. He won overall grand prize in the 2009 USA Songwriting Competition with Sarah Lonsert and Jami Templeton:

Tags: songwriter, song writer, Song writing, Sarah Lonsert, American Idol, producer, USA Songwriting Competition, Songwriting Tips, Jonathan George, Jami Templeton. interview

Kate Voegele Talks About Songwriting

Posted by Jessica Brandon on Tue, Aug 24, 2010 @09:59 AM

Kate Voegele won first prize in the Pop category of the USA Songwriting Competition in 2005 and became the youngest winner at that time at just 18 years old as a teen phenom.

She went on to perform at USA Songwriting Competition showcase at SXSW (see picture below) and was signed to Interscope Records shortly after. Her winning song "Only Fooling Myself" went on to hit top 40 on the Billboard charts that year. Her 2nd album hit the Billboard 200 Album charts at #10. She has appeared on major TV shows such as "The Tonight Show", acted in "One Tree Hill" and toured with American Idol winner Jordin Sparks. 

Kate Voegele Performing at USA Songwriting Competition showcase at SXSW

 

For more information on the USA Songwriting Competition, go to: http://www.songwriting.net

Tags: songwriter, song writer, song write, Song writing, Songwriting, lyric, Kate Voegele, how to write a song, American Idol, writing songs, Lyrics, lyric writing, USA Songwriting Competition, Billboard Charts, One Tree Hill, Billboard Album Charts, Hits, hit song writer, tips on how to write a song, Conan O'Brien

Songwriting Advice: The Missing Structure of the Music Industry

Posted by Jessica Brandon on Wed, Jun 23, 2010 @04:05 PM

Missing Structure of the Music Industry

The music industry is an interesting one. 20 percent of the music industry record labels owned by Sony, Universal, EMI and Warner owns 80 percent of the music industry. This Pareto's Principle like "80-20" rule is hard to acknowledge but true. 

Success in the music industry is in the eye of the beholder. Less than one out of a hundred artists (music artists such as singer-songwriters) will have a song or album on the record charts such as Billboard or make 1 million in sales. That's less than 1%. This superstar 1% level control 80% of all music sales, songs you hear on the radio, downloads, concerts, etc. Singer-songwriters such as Lady Gaga, Madonna, Kate Voegele, Darrell Scott have sustaining careers, playing large venues hitting the Billboard Charts or making 1 million in sales.

The remaining 99% of the rest of the industry struggle to get signed, let alone hitting the charts, remaining in perpetual captivity. Most independent artists print 1,000 copies of their CDs and struggle to even sell half (500). They would make $80,000 or less per year in revenues or concert tickets per year. With no direction 99% remain in this captivity as they struggle through each day. The top 1% are using a system that 99% aren't.  

However, there is a solution, it is called The Hit Songwriter Process™ , this is a proven method used by major record labels would release 99% of the music industry. The music artists break through out of that captivity and shatter the ceiling of complexity. This missing structure is what missing in the music industry. The general public thinks American Idol and America's Got Talent are means to an end. The missing structure is a tough 8 step method to make a music artist breakthrough. 

The Hit Songwriter Process™ , is the missing structure where talent and ambitious music artists can achieve the $1 million in sales and above. It is the only way to do it in a strategic manner 

Tags: song writer, song write, Song writing, Songwriting, Kate Voegele, Ari Gold, American Idol, Darrell Scott, Music Industry, The Hit Songwriter Process, The Missing Structure, Madonna

Inspirational Words From Noted Songwriters And Composers

Posted by Jessica Brandon on Tue, Jun 22, 2010 @04:39 PM

Diane Warren, Multi Hit Songwriter
Diane Warren, Multi-Hit Songwriter

"As with anything, experience and practice make your skills more proficient. I’ve worked at songwriting for many years and I hope that with each song I write I get better and better at my skill." ~ Diane Warren, Multi Hit Songwriter

 

 

What has worked before is never as good as something that has never been tried before, even if it doesn't work."~ Jimmy Webb, hit songwriter

 

 

"A songwriter's supreme challenge is being complex and simple at the same time." ~Paul Simon

 

 

"Life is denied by lack of attention, whether it be to cleaning windows or trying to write a masterpiece" ~ Nadia Boulanger, composer and teacher to music legends such as Quincy Jones, Philip Glass, Aaron Copland, etc.

 

 

"Cher hated 'If I Could Turn Back Time.' I had to beg her, literally, on my knees, just to try it. Happens all the time." ~ Diane Warren, Multi Hit Songwriter, talking about pitching her song to Cher

 

 

If you are not doing what you love, you are wasting your time.” ~ Billy Joel, Songwriter

 

 

"I can't understand why people are frightened of new ideas. I'm frightened of the old ones" ~John Cage, Composer

 

 

"Beyond a certain point, the music isn't mine anymore. It's yours." ~ Phil Collins, Songwriter

 

 

"I think people appreciate a songwriter who shows different sides. The whole angst thing is cool, but if that's all you've got, it's just boring. Everything I write, whether it's happy or sad, has a sense of humor to it" ~ Katy Perry, singer-songwriter of #1 Hit "I Kissed I A Girl"

 

 

"There's a saying, 'It's easy to write songs, but very difficult to write great songs.' I'm going through that right now." ~ Bryan Adams

 

 

"Write fearlessly" ~ Pat Pattison

 

 

 

For more information on the USA Songwriting Competition, go to:http://www.songwriting.net

 

 

 

 

 

 


Tags: songwriter, Billy Joel, Composer, Diane Warren, Paul Simon, Inspirational Words, Nadia Boulanger, John Cage, Phil Collins, Katy Perry, Bryan Adams, Pat Pattison

Top 10 Songwriting Teams

Posted by Jessica Brandon on Wed, May 26, 2010 @06:41 PM

These are the top songwriting teams/collaborations. When you put two or more heads together, you may come up with a hit or two.

1. Paul McCartney & John Lennon
With pop anthems such like "Yesterday" and Let It Be". Lennon & McCartney is argubly the best songwriting collaboraion in the world. With a resume of the best selling band in the world and the most successful songwriter of all-time (McCartney). This dynamic duo tops the list. 

 

2. Rodgers and Hammerstein
Richard Rodgers (1902 - 1979) and Oscar Hammerstein II (1895 - 1960) were a well-known American songwriting duo, usually referred to as Rodgers and Hammerstein. With musicals such as "The Sound of Music" and "South Pacific", their songs have made into the mainstream Pop and became household names.


 Burt Bacharach and Hal David
3. Burt Bacharach and Hal David
With hits such as: "Raindrops Keep Fallin' on My Head", "This Guy's in Love with You", "I'll Never Fall in Love Again", "Do You Know the Way to San Jose", "Walk On By", "What the World Needs Now Is Love", "I Say a Little Prayer", "(There's) Always Something There to Remind Me", "One Less Bell to Answer", and "Anyone Who Had a Heart".

4. Elton John & Bernie Taupin
Elton has made magic with lyricist Taupin and wrote hits such as "Your Song" and Candle In the Wind". In fact the only time he didn't use Bernie was his "Victim of Love" album which resulted with no hits.

 

5. Jerry Leiber & Mike Stoller
With hits such as "Hound Dog", "Stand By Me" and Jailhouse Rock". They have written the soundtrack of the 50's and beyond.

 

6. Holland, Dozier, Holland
Holland-Dozier-Holland is a songwriting and production team made up of Lamont Dozier and brothers Brian Holland and Edward Holland, Jr. They are one of the greatest songwriting teams in pop music. The trio wrote and arranged many of the songs making up the Motown sound that dominated American popular music in the 1960s with hits such as "Heat Wave", "I Can't Help Myself (Sugar Pie Honey Bunch)", "You Can't Hurry Love" and more.

 

 

7. Carole King & Gerry Goffin
With iconic hits such as "Will You Love Me Tomorrow", "Up on the Roof" and "(You Make Me Feel Like) A Natural Woman".

 

 

8. Barry Mann & Cynthia Weil
With pop anthems such as You've Lost That Lovin' Feelin'", "Never Gonna Let You Go", "Make Your Own Kind of Music". This husband and wife team went on to create songs for numerous contemporary artists, winning a number of Grammy Awards and Academy Award nominations for their compositions for film.

 

9. Mike Stock, Matt Aitken and Pete Waterman
Also known collectively as "Stock Aitken Waterman", this UK team has written #1 80's iconic hits such as: "Never Gonna Give You Up" by Rick Astley, "Respectable" by Mel and Kim, and more.

 

10. Jimmy Jam & Terry Lewis
They have written hits for Janet Jackson, Michael Jackson, Mariah Carey, Mary J Blige, etc.
 

 

This article is brought to you by USA Songwriting Competition. For more information on USA Songwriting Competition, go to: http://www.songwriting.net

 

 

 

 


Tags: songwriter, song writer, song write, Song writing, Burt Bacharach, Paul McCartney, Top 10 Songwriting Team, Top 10 Songwriting Collaborations, John Lennon, Hal David, Rodgers, Hammerstein

Top 10 Most Influential Songwriters Alive

Posted by Jessica Brandon on Mon, May 24, 2010 @09:55 PM

 

By Ira Greenfield

A few weeks ago, I sent out a tweet to ask who you think is the best songwriter alive. We received many messages on who they think is the best. This is a list I have compiled:

Bob Dylan

 

1. Bob Dylan
With inconic songs such as "Blowing In The Wind", "Like A Rolling Stone" and "Times Are A Changing", Dylan social messages ranked high above other songwriters today.


2. Paul McCartney
Paul is the most successful songwriter in the world, according to the Guiness Books of world records. With his stints in the greatest rock group in the world "The Beatles", later with "The Wings" and went on to a solo career. With his late co-writer Lennon,they are considered one of the greatest songwriting collaboration in history.


3. Elton John
He has written numerous hit songs with Bernie Taupin, their iconic songs "Your Song", "Candle In The Wind", "Rocketman". Not a day goes by that you do not hear any of these songs in a cover band in a hotel bar.


4. Neil Young
Neil has been in lengendary bands such as "Buffalo Springfield", "Crosby, Stills, Nash & Young" and later on a solo career.


5. Bruce Springsteen
With rock anthems such as "Born To Run", "Born In The USA", "Glory Days", need I say more?


6. Diane Warren
Just about every artist has cut a song written by Diane Warren. She was the first songwriter in the history of Billboard magazine to have seven hits, all by different artists, on the singles chart at the same time. Warren owns her own publishing company, Realsongs, which gives her control over her songs. Her number 1 hits include "Because You Loved Me", "Un-Break My Heart", "I Don't Want to Miss a Thing". She still remains the most in demand songwriter in the music industry today.


7. Desmond Child
Desmond has written iconic number 1 hits such as "Livin' on a Prayer", "You Give Love a Bad Name" and "Livin' La Vida Loca". His diverse list of artists such as Bon Jovi, Ricky Martin, Cher, Aerosmith and Clay Aiken, Desmond is running close to Dianne Warren.


8. Paul Simon
From his days with Garfunkel, his solo career, his stint with South Africian music, Paul has written songs that mean something.


9. Brian Wilson
Brian was the primary songwriter in The Beach Boys, also functioning as the band's main producer, composer, and arranger. In 1988, Wilson and his band-mates were inducted into the Rock and Roll Hall of Fame, which refers to him as "One of the few undisputed geniuses in popular music".


10. Leonard Cohen
Leonard Norman Cohen is a Canadian singer-songwriter, musician, poet and novelist. In 2010, Cohen received a Grammy Lifetime Achievement Award. Lou Reed described Cohen as belonging to the "highest and most influential echelon of songwriters."

 

For more information on the USA Songwriting Competition, please go tp: http://www.songwriting.net 


Tags: song writer, song write, Song writing, Songwriting, Bob Dylan, Diane Warren, Paul Simon, Desmond Child, Paul McCartney, Elton John, Top 10 best songwriters, Neil Young, Bruce Springsteen, Brian Wilson, Leonard Cohen

Songwriting Tip: Keep a Book or Recorder of Melodic Or Lyric Ideas

Posted by Jessica Brandon on Tue, May 18, 2010 @05:37 PM

Sony Walkman

I sent a tweet last week and received so many comments and ideas from songwriters on how they record any ideas of melody, chords and lyric ideas.

These spur of the moment ideas can develop into a hit song or developing parts of a song when you least expect it, run out of ideas or need to finish writing a song. 

Here are some quick and simple ideas:

1. Scrap Book Paper. Have a book by your desk, bed or car handy to record any ideas you may have.

2. Flash Cards. Misha Sakharoff, a songwriter that is a fan on USA Songwriting Competition's Facebook page said he uses flash cards together with flash compatible cell phones.  He also remember to make backups once in a while.

3. Recorder. Whether it is old-schooled cassette recorder like the sony walkman recorder, MP3 or WAV recorders, this can be a great tool to record your most spontanous melodic ideas. Even hit songwriter Diane Warren records on a small tape recorder gives proof that you do not need the most advanced tools all the time.

4. Music Manuscript Staff Paper. For composer and songwriters who think in terms of melody, a quick sketch of how you want the melody to go can be great especially if you have writers block. 

5. Cell Phone. Yes, with cell phones getting more advanced these days, songwriters record ideas on thier cell phone wherever they are. China Street, a fan of USA Songwriting Competition's facebook page said "I also record mine on my cellphone and along with my mini cassette player."

For more information on the USA Songwriting Competition, go to: http://www.songwriting.net

 

 

Tags: song writer, lyric, Melody, Songwriting Tip, Book, Tape Recorder, Songwrter, ideas