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Muscle Music Marketing For Your Songwriting

Posted by Jessica Brandon on Thu, Apr 16, 2009 @04:16 PM

Muscle Music Marketing For Your Songwriting
By Molly-Ann Leikin

Most creative people are terrible at business. We're all very, very sensitive and take it personally when someone is abrupt or rude as we nervously try to promote our uncertain selves.

The guy who makes one more phone call, one more time, gets the meeting. The most persistent musicians are the ones with the deals.

We hate hearing that because we're all looking for fairy godmothers to rescue and discover us, but Toto, there is no fairy godmother. No matter how much we want or need one, it's on each of us to switch gears and become the cool-headed champions of our own art.

Nobody will ever love our work more than we do. Not our mothers, dads, wives, husbands, ex-husbands, ex-husbands twice removed, significant or insignificant others.

The good news is that in my book, "How To Be A Hit Songwriter", there are three whole chapters devoted to the creative marketing your music and lyrics. And in the Fifth Edition of "How To Write A Hit Song", just published, there are two.

One of the best recommendations I can make is to call, speak to and/or meet one new music person every day. Not just when you feel like it. Every day. Keep a list with phone numbers and email addresses. At the end of the year, you'll have 365 contacts. Sure, it's easier staying home under the bed, hoping hoping hoping to just mail it in, unsolicited, but you have to leave the comfort of your creative space and get out into the world where the people are you need to meet. The chances are good that the next Sony CEO won't knock on your door desperate to go potty, hoping for a diet Coke, with shaved Bavarian ice, in the bargain.

Don't you owe it to your music to learn to be as good at business as you are at writing, singing and performing? When you are, you'll have the whole package. Then nobody can stop you.

© 2009 Molly-Ann Leikin

Molly-Ann Leikin (rhymes with bacon) is a songwriting consultant in L.A. with a house full of gold and platinum records plus an Emmy nomination. She is also a Eurovision finalist (American Idol in Europe). Three of her clients have Grammy nominations, another won an Emmy and so far, 5041 others have placed their work, with Molly's help, in movies, TV, on CD's and in commercials.
The author of "How To Write A Hit Song" and "How To Be A Hit Songwriter", Molly's website is www.songmd.com and her toll-free number for the USA and Canada is 800-851-6588. You can also reach her at songmd@songmd.com


Tags: Songwriting, how to write a song, hit song, hit songwriter, song contest, songwriting competition, songwriting contest, songwriting partner, writing partner, collaborator, American Idol, Melody, Melodies, writing songs