THE POWER OF SIMPLICITY
by Danny Arena
As the boundaries of country music continue to expand, it’s easy to get so caught up in modulations and syncopated rhythms that we can forget the power that a strong, simple melody can have. In my songwriting classes I teach at SongU.com, I try to make a point of giving one assignment to write something simple musically.
SIMPLE ISN’T EASY
While a melody may be described as "simple" by someone, the writing of it is usually far from easy. It involves achieving a perfectly natural balance between repetition and change so that the song is easily singable, but not boring. In this column, we’ll look at two of the components that make up a strong, simple melody. We have a tendency to think our own melodies may become dull when a musical phrase is repeated two or three times. As a songwriter full of musical ideas, it’s easy to end up with a song that has too many melodic ideas. In truth, some of the most well-known melodies like, "Yesterday" (Lennon/McCartney) and "Don’t It Make My Brown Eyes Blue" (Leigh) rely heavily on repetition. If one of our main goals as a songwriter is to write something that's easily memorable, then by far the best technique available is the power of repetition.
The downside of repetition is that too much of it can bore the listener. I like to think of it this way. Suppose you were eating spaghetti with red sauce for dinner four nights in a row. Probably by the time the third or fourth night rolled around, you’d be tired of eating the same exact meal. Now, imagine that you change the meal slightly each night: the first night - spaghetti with red sauce; the second night - Chinese sesame noodles; the third night - lasagna; the fourth night - penne pasta with garlic and olive oil. By making a few changes, the same meal can still be satisfying. It’s like that with your music - a little variation goes a long way.
As an example of the power of repetition with change, let’s take a look a hit song my wife, Sara Light co-wrote with Arlos Smith called “Home To You”. The verse consists of a total of eight measures, but only two musical ideas, one of which is the following two-measure pattern that starts the song:
What makes the melody particularly memorable is the fact that this musical idea or motif is immediately repeated two more times (see example below). By the time the second verse rolls around, the melody is very familiar.
From the song, "Home To You" written by Sara Light & Arlos Smith. © Mamalama Music (ASCAP)/Good Ol Delta Boy Music (SESAC). All Rights Reserved. Used by permission.
Although the initial musical idea (in example 1a) is repeated three times in a row, there are several subtle variations employed that help keep us tuned in to the music, allowing the repetition to work its magic without us becoming bored.
VARIATIONS KEEP THE LISTENER TUNED INTO THE SONG
Notice the first time the musical idea appears, the chord pattern is a G chord followed by D (with an F# bass). But when the musical idea is repeated, the chord pattern changes and an Em7 chord is substituted for the G, which is then followed by C chord. This small harmonic variation in chord structure the second time allows us to return to the initial chord pattern again (G, D/F#) for the third time with fresh ears. Also, notice that each time the two measure musical pattern repeats, the melody begins the same, but ends a little differently. This is a type of variation commonly known as melodic variation and it is often due to the changing of the chords in the musical motif as in the case here. Finally, notice that rhythm of the melody changes slightly each time the musical phrase is repeated but is close enough to the original musical idea that it still reinforces it.
So the next time you hear one of your favorite songs on the radio, try to listen for some of those subtle variations in the music. They may be small, but they can make a big difference.
Hope to see you on the charts.
About Danny Arena
Danny Arena is a Tony Award nominated composer and professional songwriter. He holds degrees from Rutgers University in both computer science and music composition, and serves as an Associate Professor at Volunteer State Community College in Nashville, and an adjunct member of the faculty at Vanderbilt University. In addition, he has been invited to teach songwriting workshops throughout the U.S. and abroad, and performs his original songs regularly in Nashville at venues like the Bluebird Café. As a staff songwriter for Curb Magnatone Music Publishing, he composed several songs for the musical "Urban Cowboy" which opened on Broadway in March 2003 and was nominated for an Outer Critics Circle Award for Best Musical and a Tony Award for Best Original Score. He is also the co-founder, CEO, and one of the main site developers of www.SongU.com, which provides over 100 multi-level courses developed by award-winning songwriters in addition to online coaching, co-writing, industry connections, and pitching opportunities.
For more information on 18th Annual USA Songwriting Competition, please go to: http://www.songwriting.net