Songwriting Tips, News & More

Kate Voegele Talks About Songwriting

Posted by Jessica Brandon on Tue, Aug 24, 2010 @09:59 AM

Kate Voegele won first prize in the Pop category of the USA Songwriting Competition in 2005 and became the youngest winner at that time at just 18 years old as a teen phenom.

She went on to perform at USA Songwriting Competition showcase at SXSW (see picture below) and was signed to Interscope Records shortly after. Her winning song "Only Fooling Myself" went on to hit top 40 on the Billboard charts that year. Her 2nd album hit the Billboard 200 Album charts at #10. She has appeared on major TV shows such as "The Tonight Show", acted in "One Tree Hill" and toured with American Idol winner Jordin Sparks. 

Kate Voegele Performing at USA Songwriting Competition showcase at SXSW

 

For more information on the USA Songwriting Competition, go to: http://www.songwriting.net

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Songwriting Tips: Four Steps To Writing A Hit Chorus

Posted by Jessica Brandon on Tue, Apr 20, 2010 @06:40 PM

Four Easy Steps to Writing A Hit Chorus

by Molly-Ann Leikin, Songwriting Consultant


How To Write A Hit Chorus

Want to learn to be better in songwriting? No matter how sophisticated our technology, a melody is still a series of single notes. Nobody ever sings chords or tracks.  They sing individual notes.


While creating music, some of us might hear melodic and/or rhythmic ideas in our heads, then high-hurdle the sofa en route to the keyboard to play and record them right away. Others may not hear anything specific, but will feel that lightning urge to create and hope they'll find some magic hidden between the black and white keys. But no matter where we find our music, or where it finds us, a melody is still a series of single notes.
You can't hum a track.


When there are problems with a melody, ( and most of them can't be fixed in the studio), they can be solved very simply by going back to the individual notes. Never mind how good the drum fills or harmonies are, or how cool the sax sounds in the bridge. If you find you have melody problems, and your hooks aren't strong enough, go back to square one - note one, and let's see where the trouble is.


I think of choruses as nursery rhymes for adults - short, repetitive, irresistibly singalongable, easy to remember. This may sound silly or disparaging to those of you with Julliard degrees, or who've been in bands all your lives. But if you aren't getting where you thought you should have gotten by now in your careers, you could change all that for the better in ten minutes.


When my clients are having melody problems, I assign them the nursery rhyme game. That is simply choosing five different nursery rhymes - doesn't matter which ones - "Mary Had A Little Lamb", "Humpty Dumpty", "Jack and Jill", "Itsy Bitsy Spider", "Ring around a Rosie" - any five. All nursery rhymes have just one musical section, which I call the verse. This exercise will show you how to write a simple, repetitive chorus to each of those verses, and that is basic melody construction.


Step One : from the last note of the verse melody, go up a major third to the first note of the chorus. (eg: C to E). Notice I said note, not chord.


Step two : tap a rhythm on your knee or on your desk - a rhythm that is dramatically different from the rhythm of the verse melody. Try several different rhythms, - don't stop with the first thing that pops into your head. Record everything. You never know what'll come up and you may not remember some of the good stuff.


Step three : once you have a rhythm that you like that is unexpected, starting on the note a major third up from the last note of the verse, add individual notes to create a short chorus. Make sure you repeat your chorus's first line somewhere in the body of that section. Beginners will write lines one and three the same, two and four the same, but you can write your choruses however you like. Be sure you don't simplify the process too much, and write predictably. And be careful not to borrow someone else's melody.


Step four : test your chorus with your verse. Is it surprisingly different? Or is it too similar? Could you tweak it a little? Change even one note? Remove two? Vary a rhythm pattern? Record everything and put your files aside for a day or two. Then listen again. If your new "melody" makes it through the night, chances are it's right. And although it's "just a nursery rhyme", you'll have very deliberately constructed a note-by-note melody with a strong hook. When you're 100% happy with it, THEN add the chords and the track.


Change the process, change the result.
For more suggestions on easily strengthening your music and lyrics, please refer to my books, How To Write A Hit Song and How To Be A Hit Songwriter. Both are available in paperback.

© 2010 Molly-Ann Leikin www.songmd.com    
Molly-Ann Leikin (rhymes with bacon) is a songwriting consultant with dozens of gold and platinum records plus an Emmy nomination. The author of “How To Write A Hit Song, Fifth Edition” and “How To Be A Hit Songwriter”, and the producer of “Molly-Ann Leikin’s Master Class in Songwriting”, Molly consults with talented writers and artists all over the world, with a view to helping them market their material. She also matches lyricists with composers. And she’s very good at it. Three of her clients have Grammy nominations, another won an Emmy, and so far, 5068 others, with Molly’s help, have placed their work in movies, on TV, CD’s and in commercials. Molly also writes articles for USA Songwriting Competition e-mail newsletters. Her website is www.songmd.com, and you can reach her at songmd@songmd.com. If you live in the USA or Canada, you can call her toll-free at 800-851-6588. However, please check her website first so your conversation is as productive as possible.

For more information on the USA Songwriting Competition, please go tp: http://www.songwriting.net 

Tags: songwriter, song writer, song write, Song writing, Songwriting, lyric, hit songwriter, Lyrics, lyric writing, Molly-Ann Leikin, how to write a better song, hit song writer

How Songwriters Can Create a Winning Song

Posted by Jessica Brandon on Fri, May 08, 2009 @12:25 PM

~written by Ira Greenfield

Many songwriters have asked me what makes a winning song. As VP of development at USA Songwriting Competition for the past 14 years and I have heard winning years through the years, a winning song should be creative in both music composition aspect as well as the lyric composition. A good example is the top winning song of 2008 competition "Home" written by Jordan Zevon, Jordan Summers and Morty Coyle. Musically, it displays surprises in Chord changes and the lyrics about coming home are not the clichés of what you hear on radio. It didn't hurt the song that chorus is  catchy.

Another example is the winning song of the country category in 2007 "I Can Live Without You", written by Mary Danna and Troy Verges. One would think the song is about someone who doesn't want to live with another. However, there is a twist at the end of the sentence in the chorus "But I just don't want to". They have taken a love and heartache song and given a "surprising twist" in the end. Also, the bridge was short, surprising and also emotionally high (with the melody hitting a high note at the end of the melodic line) and yet sad. That song still remains a favorite at the USA Songwriting Competition.

I have heard submissions where songwriters try to write the derivative songs that were number one on the charts at one time and end up being awkward. One case was a songwriter who took the entire track of Jennifer Lopez song "If You Had My Love" and wrote a similar melody to the background music, even the melodic line's rhythm was so similar. The chorus even copied the melody of the original song. Our judges thought the song has been plagiarized, let alone not being creative as the judges left the room singing to Jennifer Lopez song instead. Needless to say, that song didn't win.

I realized an interesting fact that the top winning songs of the past two years have been a three-way collaboration. The winning song last year was written by three songwriters and so was the year before ("Where the Music Takes You", written by Ari Gold, Joe Hogue "JOJOHO" and Sean Petersen). That song also hit top 10 on the Billboard Charts after winning the competition. "Where the Music Takes You" was unique, it had no intro, the vocals start as soon as the music plays. The chorus was so catchy that the judges left the song singing to it.

Speaking of catchy, the winning song in 2004 was written by five songwriters ("My Three Wishes", written by Patrice Pike, Wayne Sutton, Sean Phillips and Darrell Phillips). The opening hook in the chorus of the Alternative song "My Three Wishes" was accented in an off beat way that would draw the listener to want to hear more. You can tell that the song took extra effort and creativity.

A song may sound nice to listen to but please note that a lot of work is being done to the song: musically, lyrically, artistically and more. Cher's biggest hit "Believe" was written not by one but six songwriters! Paul Barry, Matt Gray, Brian Higgins, Stuart McLellan, Timothy Powell, and Steven Torch wrote that hit number one in 23 different countries. Where would Cher be without this great hit song like this? Could you be creative enough write a song better as good as this or even better? Write one and submit it to us in the USA Songwriting Competition.

Information:

http://www.songwriting.net/enter


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