Songwriting Tips, News & More

Focus On Your Own Strengths

Posted by Jessica Brandon on Thu, May 18, 2017 @03:56 PM

[Expert Songwriting Advice] Focus On Your Own Strengths

by Ralph Murphy

 FocusOnYourStrengths.jpg

Ralph Murphy is a professional songwriter who has written songs that hit the charts such as "Half The Way" by Crystal Gayle. It has become very clear now that the most successful songwriters today are those who have learned how to focus on and leverage their unique strengths. A great example is Elton John - he focus on his music composition ability (writing melodies and chord progressions) and not writing lyrics, he leaves the lyric writing to his co-writing partner Bernie Taupin. Lesson to be learnt here: if you are currently great in writing music but average in writing lyrics, find someone who is great in writing lyrics!

 

“If you spend too much time working on your weaknesses, all you end up with is a lot of strong weaknesses”…Dan Sullivan

 

One of the top ten questions I get asked by newcomers to the industry is, "How do I get heard in the music business?" Before I can answer that, I have to know exactly what they want to be "heard." When I ask them about their goals -- whether they want to be songwriters or recording artists -- the most common response is, "Both."

 

Listen to the truth

The unfortunate truth of the matter is that, while many of the newcomers I counsel may be gifted as songwriters or as singers, very, very few are equally blessed with both talents. While one ability may come rather naturally, the other often needs significant honing.

 

The problem is, not everyone wants to hear the truth. Some great singers (who are average songwriters) can make the really average songs they've written shine through the sheer power of their vocal ability. They make the phrase "I love you" sound so good that you almost believe they invented it. In equal numbers come the great songwriters (who are average singers) who have been told by family, friends, lovers, and late-night adoring coffeehouse/honky-tonk buffoons that, despite the fact that their tempo, pitch and teeth are bad, they have star quality. And no matter how badly they sing, their songs are still strong enough to survive a mediocre vocal performance and sound like hits. (This is the only reason karaoke manufacturers are not hunted for sport!)

 

Check your ego at the door

The bottom line is: lose your ego. It's called "absenting of self." The person most likely to come between you and your career goal is you. Don't make the best of your talent a donkey for the least of your talent. Get some unbiased feedback from industry pros (available through a variety of NSAI programs), and if you are indeed weaker in one area, focus on your strength.

 

If you're a great singer -- but an average writer -- don't be upset if someone loves your voice but wants you to sing someone else's songs. Go find those great songs while you learn to become a better writer. By the same token, if you're a great songwriter -- but an average singer -- don't be upset if someone wants to record your songs but passes on you as an artist. Remember, this is called the music "business," and the business end of our industry knows that the majority of the G.A.P. (Great American Public) just wants to hear great records. They don't lie awake nights wondering who wrote and/or sang the songs they like on the radio.

 

Be smart

If you have a sneaking suspicion that the preceding law even remotely applies to you, then do yourself this favor: picture the music industry as a large building with an entrance for singers on one side, and an entrance for songwriters on the other. Maybe you can't go through both doors at the same time, but you can concentrate on getting inside through the door that opens the most easily for you. Who knows? Once you're inside, you can end up just about anywhere.

Write a hit!

 

Murphy's Laws of SongwritingRalph Murphy, hit songwriter

Ralph Murphy, hit songwriter and expert, has been successful for five decades. He wrote huge hit songs such as Crystal Gayle's "Talking in Your Sleep" and "Half the Way". Consistently charting songs in an ever-changing musical environment makes him a member of that very small group of professionals who make a living ding what they love to do. Add to that the platinum records as a producer, his success as the publisher and co-owner of the extremely successful Picalic Group of Companies and you see a pattern of achievement based on more than luck. Achieving "hit writer" status has always been a formidable goal for any songwriter. *His new book Murphy's Laws of Songwriting "The Book" arms the songwriter for success by demystifying the process and opening the door to serious professional songwriting. Hall of fame songwriter Paul Williams said in his review of the book "If there was a hit songwriters secret handshake "Da Murphy" would probably have included it. To buy his book, please click here: http://www.songwriting.net/ralph-murphy-book

 

Information on the 22nd Annual USA Songwriting Competition, go to: http://www.songwriting.net/enter


 
TellUsWhatYouThink
  

Tags: songwriter, song writer, song write, Song writing, Songwriting, songwrite, Ralph Murphy, Crystal Gayle, song demo, writing lyrics, Co-Writing Songs, positive songwriting, strengths, singing

How to Stay Positive About Songwriting

Posted by Jessica Brandon on Wed, May 10, 2017 @05:48 PM

[Expert Songwriting Advice] How to Stay Positive About Songwriting

by Jason Bume


PositiveSongwriting.jpg

The road to songwriting success is almost always a long and bumpy one, paved with frustration and disappointment. There are far more stories of successes that took many years, or even decades, to materialize than tales of overnight success. Some of my songwriting students navigate that road with smiles on their faces and hope, enthusiasm, and determination in their hearts. Others become bitter and disillusioned, spouting a steady stream of everything that’s wrong with today’s music and music business. While there might be some temporary satisfaction gained from blaming and complaining, it rarely leads to success unless it serves as a motivator to take the actions that can propel your career.

I understand frustration. For eleven years I took every songwriting class and workshop, read every book, and devoted every spare hour to studying my craft and furthering my career before I was able to earn a meager living as a songwriter. Five additional years passed before I had hits on the charts. During many of those years I worked long hours at miserable temp jobs and day jobs I loathed. So I understand the exasperation of feeling that despite my best efforts my dreams stayed just beyond my reach. But I also understand the power of determination, believing in ourselves, and perseverance, and I know that pessimism is not conducive to achieving our goals.

For some lucky people, a sunny attitude comes naturally. But some of us have to cultivate optimism. I asked my songwriting students and social media friends to share the tools that help them remain upbeat and optimistic on their songwriting journey.

The most consistent suggestion I received was to derive rewards from the process of writing, as opposed to waiting until some tangible aspect of success (such as having a hit single, signing a publishing deal, or securing a record deal) occurs in the future. These successes might—or might not—occur. But those who are motivated by a passion for creating music add richness to their lives every time they put pen to paper or compose a melody. Any accolades or successes their songs might achieve are a bonus.

Many songwriters who responded to my query expressed the importance of surrounding themselves with people who believe in their talent and encourage their creativity. These might be family and friends or they might be members of a songwriters’ organization. They also stressed the importance of interacting and networking with others who share their goals and enthusiasm.

Those who radiate a positive attitude tend to attract others like themselves who bolster and support each other, exchanging contacts and resources as they work to attain their mutual goals. Conversely, writers who spew negativity tend to be avoided by those who are focused on success.

Viewing their journey through a lens of gratitude is a common thread among writers who celebrate their creativity. Many of the respondents stated they maintain a positive attitude because they are grateful to have dreams and goals to pursue, regardless of any success that might or might not develop. They also felt gratitude for the gift of being able to express themselves through lyrics and music, the challenges of improving their craft, and the creative people with whom they share their journey.

Celebrating the “little” successes, such as finishing a song you love, recording a demo, receiving positive feedback, or winning a contest can all serve as validation that we are on the right road.

I’m positive that staying positive makes us happier and more desirable to work with, and that positively gives us a better shot at accomplishing what we hope for. So seek ways to let your writing be its own reward; surround yourself with those who believe in you, and with optimistic people who are on similar journeys; remain grateful for the gifts and the dreams you’ve been given, and for every success along the way; and as the Carter Family sang, “Keep on the Sunny Side.”

Permisson Reprint by BMI

Jason Blume is the author of 6 Steps to Songwriting Success, This Business of Songwriting, and Inside Songwriting (Billboard Books). His songs are on three Grammy-nominated albums and have sold more than 50,000,000 copies. www.jasonblume.com

Information on the 22nd Annual USA Songwriting Competition, go to: http://www.songwriting.net/enter


 
TellUsWhatYouThink
  

Tags: songwriter, song writer, song write, Song writing, Songwriting, songwrite, song demo, writing lyrics, Co-Writing Songs, positive songwriting