Songwriting Tips, News & More

Songwriting Tip: Why Play Other Songwriters’ Songs?

Posted by Jessica Brandon on Mon, Jan 12, 2015 @09:09 AM



by Harriet Schock

Many songwriters start out in cover bands and play other people’s songs for years before they start writing. This offers a large palette of chords and melodies to choose from. The brain is a very good computer but like a computer, what comes out is dependent upon what goes in. If you learn a few chords and start writing songs, never having played others’ songs—by ear or even reading charts—your songs may show it.

My mentor, Nik Venet, used to say that Picasso could paint a picture to look exactly like the object or person—representationally. The point of this is that he had the craft of painting DOWN before he developed his own style. I think it’s a good idea to play the songs of those writers and singers you admire. Then when you write your own songs, some of that will have rubbed off on you. And if you can duplicate someone else’s song, your craft will simply be stronger. Not recognizing a chord when you hear it will mean that chord is simply not in your musical vocabulary any more than not recognizing a word in a sentence when you hear it.

Even lyrically, it’s a good idea to listen, listen, listen. As I’ve mentioned in other blogs, listen to what that lyricist is doing and ask yourself how he/she did it so you can add that to your toolbox. But right now I’m discussing the merits of listening to music written by others.

I know excellent writers who say they don’t want to be influenced by the music of others, so they don’t listen to it. Maybe that’s true currently, but you can bet they have been influenced in the past. Before they were writing, they listened to all kinds of music from all sorts of sources. You can’t go into a restaurant, a grocery store or an elevator without hearing music. You can’t be on hold on the telephone without hearing music. Granted some of these musical influences are pretty deadly, but you hear them. So you might as well prime your mental computer with something you love. That affinity you have for the song, mixed with the mere hearing of it, will allow it to enter into your computer and you will find that your own music has benefited greatly.

Think of a song you’ve always loved. Pick it out by ear, or if necessary, look at the chord chart or sheet music. Play it over and over. Dive into that song. Go back to the original and make sure you got it right. Play your copy of it, then play the original, then play your copy of it again. See if the next song you write has a little of the wondrousness of that song you’ve been swimming in.

Harriet Schock wrote the words and music to the Grammy-nominated #1 hit for Helen Reddy, “Ain’t No Way To Treat A Lady” plus many songs for other artists, TV shows and films. She co-wrote the theme for “Jakers! The Adventures of Piggley Winks,” currently showing in 30 countries. She and her band were featured in Henry Jaglom’s film “Irene In Time” performing 4 of Harriet’s songs. She also scored three other Jaglom films as well as starring in “Just 45 Minutes from Broadway.“ Jaglom’s current film, “The M Word” features Harriet’s song, “Bein’ a Girl,” sung on camera. Karen Black wrote the play, “Missouri Waltz,” around five of Harriet’s songs, which ran for 6 weeks at the Blank Theatre in Hollywood as well as in Macon, Georgia. Harriet teaches songwriting privately, in classes and a popular online courses by private email. In 2007, Los Angeles Women In Music honored Harriet with their Career Achievement and Industry Contribution award. For her performance schedule, list of credits and samples of her work or information on her book (Becoming Remarkable, for Songwriters and Those Who Love Songs), her songwriting classes and consultation, go to:

For more information on the 20th Annual USA Songwriting Competition, go to:


Tags: songwriter, song writer, Song writing, Songwriting, Lyrics, Harriet Schock, Helen Ready

Songwriting Tip: Five ways to Create Inspiration

Posted by Jessica Brandon on Fri, Jan 09, 2015 @02:47 PM

Five ways to CREATE Inspiration

Jimmy Brewer, Songwriter

by Jimmy Brewer

We all know the feeling. You sit down to write your next song and you’re confronted by the dreaded ‘blank page syndrome’. You might sit there for hours, staring at an empty page or screen before you eventually lose your enthusiasm and give up for the day. It doesn’t have to be this way! Here are a few simple inspiration generating ideas for lyric writing that can help you break away from the fear of nothing and get back to the creation of something:

1) Object Writing
Every morning pick a random word (or check out for new examples each day), set a timer for ten minutes and write freely using your senses to guide you. Writing from your senses helps to take the listener on a journey instead of just telling them what is happening. Over time this will enrich your writing with powerful imagery and in the short term could generate some interesting ideas for development. Visit my blog for some examples and be sure to check out Pat Pattison’s book ‘Writing Better Lyrics’ to find out more.

2) Facebook Statuses
People write some soppy, emotional, stuff on Facebook, use it! Be careful not to fall into the trap of sitting on Facebook all day, refreshing the page waiting for a good status to catch your eye. Instead, make a note of anything that resonates with you while you’re scrolling through your news feed waiting for the kettle to boil or eating your breakfast cereal…

3) Column Title Generators
These can be quite cool. Make two or three columns on a page and have a different category for each one. For example on one side you might have a colour and on the other have an inanimate object, or an item of clothing (think ‘Raspberry Beret’) or even the weather (‘Purple Rain’…definite Prince theme going on here). Fill each column up and mix and match until something strikes you as being interesting or coveys an emotion that you think could be developed into a song. Get creative with the categories and you’ll be amazed at what you can find. Sheila Davies’ book ‘The Songwriter’s Idea Book’ contains lots of excellent ideas like this.

4) Little Pocket Notebook
Often when you’re out and about you might hear certain phrases that jump out at you. Usually by the time you get home you’ve forgotten about them. I like to carry a tiny notebook and pen around just in case I see something quirky written on an advert on the side of a bus, or I overhear a conversation in the queue at the coffee shop. Always try and keep your eyes and ears open and stuff will find you. I guess these days you could just use your phone, but I think there’s something about actually physically writing something down that makes your subconscious mind remember it a bit clearer. Once you’ve filled a few pages you can pick one and put it on your terrifying Blank Page and there you go, it’s not blank anymore!

5) Rip Off Without Ripping Off
If you hear a song and you think ‘Wow, what a beautiful sentiment’ or ‘What an interesting way to say that!’, Strip away the imagery and take that underlying emotion and think up some other similar ways of conveying that feeling (maybe start by object writing it and see what comes out). This way you’re not taking the image of the original song and turning it into a cliché, you’re getting to the heart of what the artist is trying to say and retelling it in your own unique style.

These are some of the methods I like to use, and very rarely now do I sit staring at a white page. These ideas can help you to spend less time thinking about writing and more time actually writing. Please leave me a comment with your own ideas, I’d love to hear them!

For more songwriting tips and some free music visit my blog at


To enter the 20th Annual USA Songwriting Competition, go to: 


Tags: songwriter, song writer, Song writing, Songwriting, Lyrics, 4-track, Jimmy Brewer

Songwriting Tip: Drawing Maximum Attention To Your Hook

Posted by Jessica Brandon on Thu, Jan 08, 2015 @10:42 AM

by Ralph Murphy

As you go through your song's story and the verses, check your rhyme scheme. Whatever it is -- change it in your chorus.
For instance, change an A B A B rhyme scheme to A B C B.

The reason you do this is to subtly alert listeners that something important is coming. A change in rhyme scheme combined with the change in melody going into the chorus should have them ready for the hook.

A couple of effective ways to get the most out of your hook (90 percent of the time, your title is the final line or hook) are to:

1. Put an internal rhyme immediately preceding the hook line

For an example,

"I love you, you love me too,
But we can't make it"


"I hate your dog, he ate my frog,
And now I hate you."

"And now I hate you" and "But we can't make it" are the lines you intended to emphasize (i.e your hooks).

2. Don't rhyme your hook with anything

A great example of this can be found in Larry Henley's and Jeff Silbar's "Wind Beneath My Wings." In their chorus, except for a very subtle implied rhyme with the word "everything," which is tucked in the middle of the second line ("and everything I'd like to be"), the title stands alone. It's also, on examination, made very singable by the use of alliteration. The W's in "Wind Beneath My Wings" really make it soar. (I hope "soar" is spelled right!)

Write a hit!

Ralph Murphy, hit songwriter

Ralph Murphy, hit songwriter and expert, has been successful for five decades. He wrote huge hit songs such as Crystal Gayle's "Talking in Your Sleep" and "Half the Way". Consistently charting songs in an ever-changing musical environment makes him a member of that very small group of professionals who make a living ding what they love to do. Add to that the platinum records as a producer, his success as the publisher and co-owner of the extremely successful Picalic Group of Companies and you see a pattern of achievement based on more than luck. Achieving "hit writer" status has always been a formidable goal for any songwriter. Never more so however than in the 21st century. Catching the ear of the monumentally distracted, fragmented listener has never been more difficult. Getting their attention, inviting them in to your song and keeping them there for long enough for your song to become "their song" requires more than being just a "good" songwriter.

Murphy's Laws of Songwriting

*His new book Murphy's Laws of Songwriting "The Book" arms the songwriter for success by demystifying the process and opening the door to serious professional songwriting. Hall of fame songwriter Paul Williams said in his review of the book "If there was a hit songwriters secret handshake "Da Murphy" would probably have included it." To get the book, enter 3 or more songs at the 20th Annual USA Songwriting Competition and receive this exclusive book 

Tags: songwriter, song writer, song write, Song writing, Songwriting, songwrite, Ralph Murphy