Getting Your First Big Yes In Songwriting
By Molly-Ann Leikin
This morning, as I took my walk up the hill behind my house, I realized that if I stacked all the no’s I’ve been told from day one, they would block the Alps.
On the other hand, the yeses would barely make it past my ankle.
Nonetheless, I am enjoying a great career in the music business.
Over the years, I’ve probably heard more no’s than most songwriters, because I wasn’t a groupie, I wore a bra, didn’t do drugs, and I wasn’t anybody’s daughter.
But after seven years of “you can’t be serious,” a publisher at Warner Brothers asked me to write a song for somebody, and I was back with it the next day at 7:24 a.m. Waiting on WB's front step, which is totally out of character for drive-around-the-block-once-then-split me, I was cool when WB guy rolled in at eleven. He didn’t use my song that time, but he appreciated my passion. After 398.2 days of this, he signed me a staffwriter.
Yes, I am talented. But everybody's talented. I just wanted it more.
© 2012 Molly-Ann Leikin
Molly-Ann Leikin is an Emmy nominee. The author of “How to Write A Hit Song” and “How to Be A Hit Songwriter”, she has written themes and songs for over five dozen TV shows and movies, including “Violet” that won an Oscar. Through co-writing and song marketing consultations, four of Molly’s clients have Grammy nominations, another won an Emmy, and so far, with Molly’s help, over 6000 of her other lyricist and composer protégées have placed their work in TV shows, movies, on CD’s and in commercials. Molly would be happy to discuss a co-write or consultation with you: 800-851-6588 firstname.lastname@example.org www.songmd.com
For more information on the 17th Annual USA Songwriting Competition, go to: http://www.songwriting.net